Critical realism in literature and its fundamental creative principles were formed in society, the class structure of which was in the classical-bourgeois form. In those conditions actually existed, only that one social form. The views of people about a "classless" society was purely theoretical. In these conditions, fact of attachment of a person to a particular social environment constitute an immutable pattern, becoming a spiritual and artistic way of perception and mastering of life.
However, social class certainty came at a critical realism is not in the form of playback of one or another social type. It was not her appearance and separate process. Critical realism reflects the creative synthesis of this determinism with interested and socially active attitude to life.
This synthesis is clearly visible in the historical connection of the individual with his social class structure. Critical realism characterizes this relationship as a hostile personality, a chilling capabilities and aspirations of man. The prevailing environment existed, suppressing, mutilating, destroying human generic quality. Critical realism – a reflection of the suffering and extreme poverty of the working population.
Created paintings truthfully describe a social peculiarity the reality was a closed and hostile to the whole and free human life. This principle was the basis of critical realism. Life perception, mastering the class system, manifested a hostility not only to the movements of his, but of later times, faithfully reproduced in art.
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Critical realism sets are not objective and subjective connection between wskazaniami types and social development. This relationship manifests itself in the form of study of social circumstances and the internal human desire for regular, free, not subject to the influence of society communicate with other people.
Most Often in the literature of the time this aspiration was expressed in the form of love – the feeling does not recognize any social classifications and distinctions. It could arise between people with different views and occupying a different position. However, the desire could be expressed in the statement of activities that are useful to society. Moreover, the individual in some cases tried to strengthen the principle of unselfish, unsocially, free human relations as normal communication of people with each other.
However, the literature of critical realism, all human attempts to live as human with pure feelings and unselfish aspirations leads to conflict with the existing system around it. Everywhere the emphasis is on extremely positive human qualities: honesty of the peasant, the bourgeois decency, the virtue of intellectual generosity of a nobleman.
The formation of the art of critical realism occurred in close connection with the democratic movements of the peoples of Europe. It should be noted the opposition of the French people against the monarchy of the Bourbons, and later against the aspirations of the big bourgeoisie to the various forms of political and economic domination. At the same time a struggle of the English people for democracy in the state, against the bourgeois domination. It is true for more than a century of resistance of the German nation and its struggle for bourgeois-democratic reforms. Russia had formed an anti-feudal movement in the early 19th century, including the revolutionary nobility, and subsequently other social layers-workers, peasants, commoners, the bourgeoisie.
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Alin Trodden - author of the article, editor
"Hi, I'm Alin Trodden. I write texts, read books, and look for impressions. And I'm not bad at telling you about it. I am always happy to participate in interesting projects."
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