The Question of what distinguishes Opera from operetta, is interesting because it allows to understand the features of this music. This topic can be informative for all music lovers who are interested in classical repertoire. The article below will identify the main differences between one genre from another, and the similarities between them. This topic may be relevant for the modern reader, because the musical performances continue to attract a large audience and have a large number of fans around the world, including in our country.
Before answering the question, what distinguishes Opera from operetta, it is necessary to give a brief historical background on the origin of these genres. The prototype of the Italian Opera became mystery and pastoral. In the 17th century, many composers began to turn to the creation of large musical pieces with complex structure and composition, which led in the following century to the rapid development of Opera.
At the same time under the genre Comedy stood out an Opera Buffa, which was a light humorous plot, the presence of conversational speech, as well as the mandatory dance numbers at the end of the action. In the second half of the 19th century, such performances came to be called operetta, which now has become its own art form.
When considering the characteristics of such types of musical performances, first and foremost, you need to pay attention to the story. It is the analysis of compositions of work allows us to determine what distinguishes Opera from operetta.
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The First is based on a complex dramatic story, the protagonists are heroes with a complex and ambiguous character that often determines the development of the intrigue. This requires the composer's great skill in creating music, which should fully reveal the drama, or even tragedy of the characters. Operetta – it was a Comedy with a light and simple story that aims primarily to entertain the viewer. Her characters don't impress the listener with depth psychology or personal drama, but amuse and cheer him.
From these characteristics depend on and tunes in the works that allow a better understanding of what distinguishes Opera from operetta. First there are the complex numbers: arias, Cavatina, ballads, duets, trios, quartets, etc. plays a Big role in the orchestra, which has an independent significance, more fully revealing the main theme of the play. A short pause filled with challenging recitatives that are used in a singsong voice.
The most Important place is the Symphony number: overtures, prologues, epilogues, which is an additional emotional burden. In the operetta melodies simpler sound: a party of heroes are couplet-song character. Instead of musical recitative introduces simple spoken language, which sounds in monologues, dialogues and screenplay.
Based On the analysis of dance numbers, you can determine what distinguishes Opera from operetta. Briefly, the difference can be described with the following words: in the first performance may be present only some fragments of the ballet, for example, in the work «Ruslan and Liudmila" by M. Glinka. Whole dance number can be seen only in operettas, as, for example, in the essay by F. Lehar “the Merry widow”. It should be noted here that the dance has for this performance essential. They decided to finish the action, while in the Opera it is only a choreographic backdrop for all the action, setting off the main plot twist.
These features allow you to better understand what distinguishes Opera from operetta. "What's the difference between these genres" – this is a question that perhaps will interest any music lover. It looks performances are very similar to each other. They resonate on many parameters.
This view originated in the 1930-ies on the American scene. It combines elements of vocal, choreography, dances, dialogues and witty remarks. At first glance, the genre is very similar to the vaudeville and operetta. However, singing is pop and combined with a spectacular and complex dance numbers. However, this type of performance is not necessarily an entertainment show, it often addresses the complexity of the drama that is portrayed in other ways.
In the musical, singing, dancing are one. One can not be imagined in isolation from the other. In addition, these representations are a kind of mix: folk music meets classical fragments, Symphony rooms – with popular pop tunes. These features allow to understand how the Opera differs from operetta and musical theatre. The last kind of art is currently very popular, especially in the US, where such shows are an integral part of the performing arts.
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TR: https://tostpost.com/tr/sanat-ve-e-lence/27634-daha-farkl-opera-dan-operet-t-m-t-rler.html
Alin Trodden - author of the article, editor
"Hi, I'm Alin Trodden. I write texts, read books, and look for impressions. And I'm not bad at telling you about it. I am always happy to participate in interesting projects."
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